Category Archives: Self Publishing

Going Wide – Draft2Digital

I was going to leave Draft2Digital to last in this series of examples of how to use various platforms to take your books wide but then decided it should in fact be placed at the start. This does not indicate it is the best platform, but rather that it is a great catch-all solution.

WARNING: I have tried to keep this as simple as I can, and Draft2Digital is pretty straightforward, but be aware that this blog post contains references to websites, URLs and Metadata, as well as asides on eBook formatting and other esoteric matters. If you’re uneasy with any of that I’d suggest something good on Netflix and a nice Amarone.

Draft2Digital provides a clean, simple to use interface and allows you to select which platforms you want to upload your eBook to. If you want a really easy life you can select every platform – possibly other than Amazon, but you could if you wanted to include that as well. If you do this, however, you preclude the use of some platform marketing opportunities, and also reduce your royalty rate from the “native” percentage going direct might offer. Draft2Digital takes 10% of the royalty paid for your book – in effect reducing your net royalty by 15%. This might sounds steep, but considering what they offer I would say it’s worthwhile for some authors who don’t want the hassle of uploading to different platforms.

ASIDE: Want to try it? I’ve uploaded to four separate distributors as I write this series of posts about going wide. I’m a pretty techy kind of guy, having worked in IT as a programmer and manager for 35 years. It has taken me four full days to get all my shit stuff together and upload 11 titles. And each time there is a new one I’ll need to add that in as well. In each of these posts I’ll offer a time range to upload from expert to novice.

Before I dive in I want to point out that there are a number of alternative aggregators that might suit your needs better. You can find a section for these at the end of this post. Each of these posts will consist of standard sections to make it easier for you to make a comparison. I’ll also include a Pros and Cons at the end.

CREATING AN ACCOUNT

Draft2Digital makes this really simple, as do most of the others. Click on the Sign Up button and you are asked your first and second name, pen name if you use one, email address, password (twice) and whether you want to sign up for their marketing newsletter. Once you sign up approval is almost instantaneous.

HOUSEKEEPING

On some platforms you have all kinds of barriers before you can sell your books (and yes, Apple, I’m looking hard in your direction). Some of these will include bank details, Tax information and so on. Draft2Digital makes this as simple as or simpler than pretty much any other platform. In particular, you can receive payments direct into your Paypal account, which could not be easier.

ADDING AND UPDATING BOOKS

Time to upload one book: 10 – 40 minutes
Unlike some other platforms Draft2Digital defaults to a simple page with, at the top, a great big button that says Add New Book. Go on, click on it, I know you want to. The screen you get when you do is shown below.

Adding your book title and front cover art

Pretty much everything you need to set is here. Title, Series, Optional Series number, search terms etc. A nice feature that not all platforms provide is it remembers the Series names so you only have to spell them right once.

The BISAC categories are simple enough to use, even easier if you make a note of your category references in advance – which sounds like a lot of fuss, but it’s fuss you only have to do once, bearing in mind every platform requires these.

The next stage is to upload your book content and blurb for display on sales sites. Click on the Start eBook button to go to the next screen

UPLOAD YOUR BOOK AND BLURB

Draft2Digital is one of the easiest and most flexible platforms for uploading your book. If you have a Word document upload that. An ePub or Mobi, go with that. In addition, if you upload the Word doc it creates both ePub and Mobi file for you and allows you to download them so you can use these on other platforms. It is also able to produce a print ready interior for you, but I have not tested that as Vellum already does a great job for me with that.

Browse for your source document and upload it.

Go to your already saved Blurb and copy and paste it in here. No – don’t even think about making it up here and now. You need to spend, in my opinion, several days honing your blurb. My excuse for the one below is I made it up on the spot. Oops. You know … do as I say … Normally I work on my blurb as I’m writing the book, tweaking, honing. In this instance I didn’t do that. So double oops.

Uploading book interior and blurb

If you have your own ISBNs – and if you’re serious about your writing business you should have – enter it here. Otherwise you can choose a free ISBN. If you do, bear in mind it will show Draft2Digital as the publisher of record. This might be an issue, it might not. Personally, I like my ISBN to be linked with my publishing imprint.

Click on Save and the system will check your upload file. If it finds anything wrong it will tell you. I’ve never had that happen, but I know it can and does.

LAYOUT

The next page shows you where you can modify the layout of your eBook. If you have uploaded an ePub already you will generally skip this. If you have uploaded a Word document you might want to tweak the settings here a bit.

Adjusting the layout of your interior – optional

Because I use Vellum my other books get compiled into my Also By section for me. Interestingly, Draft2Digital let you replace that section with their own. While I don’t do that, if you have uploaded a file produced from somewhere else you should let Draft2Digital create this section for you. It will provide links to each platform. This means the Apple version will link to Apple books, the Amazon one to Amazon books etc.

You can now move on to preview your content.

EBOOK PREVIEW

The next screen doesn’t actually preview your eBook, but it does allow you to download a copy in either .mobi and /epub format. Do it. Doesn’t matter which, but do it. Never, ever assume your upload file was perfect. One thing I’ve noticed is that some eBook distributors are great at showing what your book is going to look like while others don’t even show it you (yes, Apple, what’s that all about?). Draft2Digital is somewhere in between in that it wants you to download a copy to preview it before confirming is all right.

Accepting the eBook interior and format

When you’re happy with the book you can move on to layout and pricing. Please don’t ever skip on downloading and checking the files. Never assume what you uploadeded will look the same as you think. Always, always check.

When you are happy click on Approve and go to the next screen, where you select which Digital Stores you want to distribute to. If you are the ultimate non-techy person and don’t want anything to do with uploading anywhere else you can turn all of these options on. If you have even a small desire to earn an extra percentage on some sales I recommend you turn off Kindle, Apple, Kobo and Barnes and Noble. If you turn off Kobo check that Overdrive is also unchecked, as you get slightly better terms going to that directly through Kobo.

All right, nearly done. The final step is to set your price and submit the book for distribution.

PRICING AND PLATFORMS

There is a field at the top where you can enter your price in USD ($).

Pricing your book

Theoretically you don’t have to do anything else, but I strongly advise you click on the Manage Territorial Pricing button. At the bare minimum I would enter GBP (£) and EUR prices. This will cover your main marketplaces, but you can assign a price to any of the territories shown. This is a bit more complicated, but just wait until we get to … yes, you’ve guessed it, Apple Books.

In this instance you click into the box beside the territory you want to change a price for and overtype what is already there. Personally all my prices end in .99. It simply looks more professional.

Setting a price for other territories

Because Draft2Digital is an aggregator the lower portion of this screen shows you which platforms you can distribute to and what price you want to set on your book. In this section, as well as selecting direct sales channels you can also choose library services as well. If you do want to go to libraries, just note that if you intend to publish direct to Kobo do not select the Overdrive option here.When you’re satisfied you’re all done just click on Apply Territories.

SUBMIT YOUR BOOK

The final stage is to submit your book for publishing. You can come back at any time in the future and change anything you have entered.

How long does it take for your book to go live?

As you’ll discover when we come to the other platforms, uploading the book doesn’t mean someone can buy it immediately. Amazon KDP can take up to 72 hours, but generally much less. The other platforms depend. I reached out to Draft2Digital support and they got back to me within an hour with this response”

“Thanks for reaching out to us with your questions. Most vendors will have the book listed within 1-3 business days, vendors like Scribd and 24 Symbols can take 6-8 days to list, libraries take the longest to list usually taking 10-14 days.”

With Draft2Digital you’ll find the title published to each store at different times. For me Tolino – the German eBook provider – always publishes first. Some take an age, others not so long. You can’t hurry anyone up so be prepared to see your book appear over some time on various sites.

UNIVERSAL BOOK LINKS

At this point you think you might be done, but one thing Draft2Digital provides is a real game changer, and a fabulous feature. Once your book appears in your books list click on the cover and you can see most of the details. The one you want is Promotion, so click on this.

Ignore the next screen and find the button that says Edit this UBL.

UBL stands for Universal Book Link, and gives you the following screen.

Creating Universal Links

One really great feature of this screen is that when you click on Rescan for Links it goes away and searches for your book on all the platforms, whether you have selected them for distribution through Draft2Digital or not. On the screen above you can see it has found where the book is already for sale on Apple, B&N and Kobo. For some reason it objected to KDP, but all I did then was paste in the eBook ASIN and it found it the next time I asked it to scan.

You can also use a custom URL for this link. Personally, I do this, but there is no reason to as the one provided works just fine.

So – what do you get with this? Well, a link to a page you can provide to your prospective readers where they can select whichever platform they read on.

The Universal Book Link page

Even better, once they’ve done this once the screen will default to that platform the next time they go there. Great, or what?

SUMMARY

Draft2Digital is a great way for any Indie author to get their books onto a wide range of sales channels.

PROS

It has one of the simplest interfaces you are ever going to encounter
The Universal Book Links feature is fabulous.
The interface and set up is one of the easiest you will ever come across.
The support is very good, and I know from having met the main players heading the company that they are great people. They also write books.

CONS

You earn a slightly reduced royalty over going direct. Depending on how much work you want to do this might be worth it to you.
To some extent you are the mercy of Draft2Digital and their negotiating power over what new platforms get included.

OTHER AGGREGATORS

The following is a list of other aggregators. I have not used any of them, but know people who have and in general they all have a good reputation. This is by no means a comprehensive list but does cover the biggest players, and also some you may not know about which offer a slightly different range of marketplaces and offering.

Smashwords is the venerable old man in the room, and is still a good distributor, but its interface has not been updated since I first used in back in 2011. It works, but is quirky.

Bookbaby  is another option, but there is a fee to set your account up of $99. After that uploading and distribution is free.

Streetlib is another aggregator that charges a fee. I interviewed the CEO Giacomo D’Angelo several years ago for a post I did from Hamburg Book Fair on behalf of the Alliance of Independent Authors. They were a fairly new company then but have grown significantly since, which is always a good sign. If you want to publish to some of the more esoteric European marketplaces, particularly if you don’t write in English, then these might be a good choice.

Publishdrive is a relatively new aggregator but has a good reputation. I believe, but am not sure, that they also charge a setup or subscription fee.

Going Wide – Getting your ducks in a row

Gratuitous cute picture of ducklings – some almost in a row

I was going to start today by showing you how to upload to arguably the more important distributer, Kobo Writing Life (the other big one being Apple Books, at the moment, but who knows?) Instead, I need to cover a bit of housework first. When uploading several books you really need to gather all the assets you need into one central location.

ASIDE: Let’s be frank here, if you have only one, or maybe two books, I recommend you stay in KDP and KDP Select until you have more. If you write stand-alone books you might also be better staying in KDP Select. If you write a series and have a minimum of three books ready to go then wide might work. Give me six or nine months and I hope to have have a more prescriptive answer to give you.

So I have eight books and counting in my Thomas Berrington Historical Mystery Series, as well as two bundles, soon to be three. It may not sound a lot but each of the platforms you are going to upload to want to know a lot of information which, if it’s not all gathered together, can be a pain to find, if you can even find it.

Some of the things, in only a semi-rational order because each platform asks them at different points are:

    • Author name – nothing worse than having a series of pen names and then forgetting who you are
    • Title (duh)
    • Series Title – and if the platform doesn’t remember it (I’m looking at you, Apple Books) make sure you always get the spelling right
    • Date of original publication. This is a pain, but fortunately KDP or any other distributor will have it shown on the dashboard
    • EBook ISBN
    • Print ISBN
    • Audio ISBN (none of them asked for it, but it’s worth including anyway)
    • Blurb (back cover copy)
    • Search Terms
    • EBook (and potentially print) cover
    • EBook (and potentially print) interior

 

When I started to upload I discovered I had each these assets but they were scattered all over the place. I have a spreadsheet with all my ISBNs in and what book I used them on. I have blurbs but not held centrally. You get the picture. It’s a pain in the rear finding all this stuff, and then doing it all over again for the next book and the next.

So – I use Scrivener and love it (if you want to argue then this is not the place). It lets me hold all the assets I need in a section I call Metadata. It doesn’t look pretty, but it works. If you use something else then I suggest you open a Word document, or any other text document, or a spreadsheet, and gather everything you need together for each book.

I also suggest, and this even more strongly, is that you organise your folder structure to keep everything logical. Mine is all held on a local Dropbox folder that synchs immediately to the cloud so I always have a safe copy almost instantly (as well as a Time Machine backup). I have a folder like this:
WRITING -> Author Names -> David Penny -> Thomas Berrington -> Book Name -> Covers / Research Notes, Scrivener, Vellum, Images…

I know, they should be alphabetical but you get the idea. The point is, when I need to do anything I always know exactly where to find it.

So, in each Scrivener file, as I said, I have my metadata. It looks something like this (truncated)

Thomas Berrington Historical Mysteries
Breaker of Bones
PUBLICATION DATE: June 26 2014
EBook ISBN 9780993076107
Print ISBN 9780993076114
Audio ISBN

SEARCH TERMS
spain
alhambra
granada
eunuch
private detective
moorish spain …

Spain, cordoba, granada, private detective, eunuch, moorish spain, islamic, castile, alhambra, malaga

If you’re wondering why I have two sets of search terms, really I should have three. KDP likes them in a list but only so many in each field, B&N and Kobo like them comma separated, I think Apple (but one of them, anyway) likes them separated by semi-colons (which I still need to do).

I then have a separate folder for my blurb and then everything is in that one location and I can refer to each for upload. If, like me, your series name is relatively long I recommend having that in the metadata as well. It’s really easy to make a typo and then you’re screwed until you fix it.

If at this point you are banging your head against the wall and your eyes are spinning in their sockets don’t worry, because gathering all this together will save you a whole bunch of time and trouble later on.

I’m fortunate in that I run a MacBook, so I use Vellum to compile everything into eBook and Print. If you can I recommend it. One major advantage is that it lets you check which platforms to compile for and creates a separate cover image and interior for each. This might not sound much, but each platform has slightly different requirements. Vellum also has a section where you can list your other titles – Also By. If you’ve ever uploaded an eBook to Apple you’ll know that if it has links to Amazon they scream in a high-pitched voice and make the sign of the devil at you. Vellum takes care of all of that for you. All you need to do is upload the correct epub or mobi file and the links work for each platform without you changing anything at all.

Bear in mind though that you might need all those extra IDs in your metadata. That’s next on my list of to-do’s once I finish uploading and the books go live.

All right – I’m done for today. This post might be considered boring! But, sometimes boring is sanity. Without gathering everything together you are going to curse as you open up a portal to upload your book and find you have to go hunting for almost every single item of information.

Get your metadata (and this is only a snapshot, not the whole thing), keep it updated, and you will be grateful. Calmness will reign – in your writing life, at least. Hey, I can’t work miracles. Not even me.

Until the next time…

 

Going Wide – Getting out of KDP Select

In this post I’m going to talk a little about how I managed to get all my titles pulled from KDP Select, together with a warning that this might not have worked and may not work for you. I talked about my reasoning for doing this in my first post, which you can read here.

I’ve decided to be up front about how I’ve been doing reasonably well on Amazon, and then show how my performance changes as time goes on. I am expecting to see a significant drop in overall income over the coming months as I lose page reads and it takes time for the other marketplaces to come on stream.

To start with though, rather than show overall monetary amounts I’ve graphed below the proportion of income from page reads and sales over the last two years. I chose that time period because hopefully it shows the effect of the Covid lockdown over the first half of 2020 where it seemed a lot of the people sitting at home decided to read more fiction.

Sales and Page Reads 2019: Average %age of income from page reads 40%

Sales and Page Reads 2020: Average %age of income from page reads 38%

For both graphs the red block shows sales and the blue upper area the number of equivalent borrows. It also shows peaks where I had a book launch, and it’s clear that my sales have increased this year since last, which is good. As you can see from the percentages, getting on for half my income has come from page reads. Which raises the question – am I totally crazy giving this up?

Well, the answer remains to be seen.

I want to point out I’m not doing this through any prejudice against Amazon. They have always treated me well and treated me fairly. A case in point is how I emailed them four days ago and asked if they could remove all my titles from KDP Select. They responded within 8 hours and said sure, it’s done. Had they not done so this experiment would have had to wait until into December when my last title dropped out of Select.

I do want to point out, however, that this response is not a given. Amazon are perfectly within their rights not to remove you from KDP Select in bulk, but I’ve heard of others who have had success and maybe it depends on how you have interacted with them in the past. Anyway, I’m now out of Amazon borrows and need to replace them with something else.

As you can work out from the graphs, I need to sell almost 10,000 more books over a year through Kobo, Apple, B&N, Google books, all other vendors and libraries to make up the shortfall from borrows.

I’ll say it again – am I crazy? The answer is still probably yes. However, assuming the worst case scenario and I can’t get anywhere near those 10,000 extra sales a year, I always still have the option of going back into KDP Select. I’ve come out once before and when I returned my page reads picked up almost at once. I have also heard some anecdotal reports that book sales increase on Amazon if readers cannot borrow the title but do want to read it.

So that’s about it for today. I’ve set a marker in the ground against which to measure my performance over the rest of this year and into next. How long I’ll keep the experiment running I have no idea, but if sales totally tank outside of Amazon probably not much more than 6-9 months, unless I see some pick-up that offers hope the strategy is working.

As soon as all the titles are live I intend to apply for a Bookbub for the first in series as it should be easier now the books are more widely available. This should kick-start readers on each platform into the series and lead to read-through and hence more sales (Thanks to R who advised this – you know who you are).

Interesting times…

Next time I’m going to talk about uploading to Kobo Writing Life and what you have to do to get an account and upload your books. I’ll also come back in a later post and discuss the marketing tools Kobo offer for Indie authors.

Going Wide – an experiment in self-publishing

I’ve not posted anything on this self-publishing topic in quite a while. Oh man – a long, long while. The reason for posting now is because I’ve leapt off a high diving board and am still in mid-air. I’ve gone wide with all my books.
Okay – for those of you who don’t have a clue what I’m talking about.

Going wide means I am now publishing all my books – the eight Thomas Berrington Historical Mysteries plus one Thomas Berrington Historical Prequel, to the full range of eBook vendors worldwide.

And before you ask – is there something called Going Narrow?

Well yes, there is, and that’s what I’ve been doing my entire writing life since 2014. Some of you may ask why on earth I wouldn’t want to publish as widely as possible and the answer is because of these reasons two reasons:

Amazon KDP was and still is the biggest book vendor on the planet. They also introduced KDP select where you get paid for each page people read when they sign up for Amazon Kindle Unlimited, which allows them to download eBooks for free for a single monthly payement. Up until recently these page reads earned me around 40% of my income.

I was a coward and liked the security blanket of staying with KDP Select.

So why now?
Well, page reads have been falling off a little recently and I have many writer friends who have been saying to me I should be wide. That it’s not healthy for my career to stick with a single vendor, even if they do sell more books than all the others combined.

Finally I’ve started listening to their sound advice.

I intend to give myself six to nine months to see if I can make this experiment work. I expect to take an initial hit in income but will work hard to counteract that with marketing and special deals. I’ve also got the ninth book in the series coming out later this year and that always results in a significant boost to sales – this time it should be on a number of platforms.

I’ll be posting here fairly regularly so you can see how I’m making progress, or not.
Tomorrow I’m going to post on the mechanics of what going wide means, and offer some lessons I’ve learned along the way.
In the meantime I’ll tell you that for the moment I’m following the strategy set out below:
For Apple, Kobo, Barnes & Noble, and Google books I am uploading directly through their portals. I also have all my books on Amazon still but now my page-reads will taper off, probably over many months.

For all other vendors I am going through the aggregator Draft2Digital.

Tomorrow I’ll talk about the process of leaving Amazon KDP Select with a bang, and how I’m using a couple of these portals and any lessons I’ve learned along the way.

Hasta mańana.

Self Publishing in Retirement

While I was attending the London Book Fair I got chatting with internet advertising guru Mark Dawson, and he asked if I would do a quick interview to tell my story of how I discovered FB Advertising. I said of course (who wouldn’t). It turned into half an hour with James Blatch and you can see the results here with Me being interviewed by James Blatch

SPF-122: The Self Publishing Retirement Windfall with David Penny

If you don’t want to wait, the interview starts around 8 minutes in.

Why Andalusia?

[full_width]I set the Thomas Berrington Historical Mysteries in southern Spain in the area of Andalusia — al-Andalus to the Moors who lived there for over 700 years. After visiting Spain and the Alhambra once when I was 16 years old I did not return for over 30 years, but when I did I fell in love with it. So much so that we now own a small rural house there

This post is the first in a series under the heading Beyond the Beaches which describes my love affair with Andalusia and the real Spain, the one you will find 10 minutes inland, but also the one you can find in one or two cities which sit on the coastal strip.

If you love sand under your toes, warm clear water, restaurants, burgers, cold beer and wine, all the other distractions of the Costa del Sol then this post is not for you. Don’t get me wrong — I like all of that too. There is little that can top eating sardines fresh from the barbecue pit with roasted pepper salad and a cold-beaded glass of cerbeza while sitting a table with sand under your toes. But there are plenty of others who have written about that, and I’m hoping to show you some of the wonders that lie beyond the beach.
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Why do I want to tell you about this aspect of Spain? Primarily because it’s closer to the Spain I write about. Not very close because that Spain no longer exists, but a little remains if you know where to look.

Inland Andalusia is a patchwork of small towns, villages, and isolated houses all nestling in the space between mountains. Everywhere there are houses. They cling to hillsides and sit atop ridges. Almost all are white with small windows to keep out the fierce heat of summer. [/one_half]
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SIDEBAR


The Spanish spoken in most Latin American cultures is different to Castilian Spanish. Not enough to make someone from Spain unable to converse with someone from Mexico, but enough to cause the odd stumble. Why should this be, when most of the settlers were Spanish? The answer is that the majority of Spanish sailors who crossed the Atlantic came from Andalusia — the al-Andalus of Moorish Spain that I write about. Here, the language spoken, and the language still spoken, was a mongrel mix of Spanish, Arabic and local dialect. We have a house in Spain, in the heart of the countryside, and can barely understand our neighbours because they speak only Andaluz, a close cousin of this ancient dialect. And boy do they speak it fast!


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Most of the towns and villages are white too, with streets so precipitous there are times you think you might need crampons. Almost all of these villages will have the necessities of life. A bank, a Correos, or Post Office, a small supermarket and often several, but also a butcher, a panaderia, a ferreteria. And, of course, a bar. In fact, it would be a poor excuse for a Spanish village to possess only the one bar. And in these bars you will be able to enjoy a glass of wine or beer and, likely as not, it will come with a free tapa. And the cost? In my local village, Riogordo, little more than €1.

All of this will be explored in a whole series of posts revelling in the wonder that in Andalusia. But for now, this is just the first part of my opening.In the next post I’ll tell you why I chose this area to set my books, and how I discovered other authors who are also writing about the same time and period. In the next installment I will tell you how I came to start writing the Thomas Berrington Historical Mysteries.[full_width”][/full_width]

Positively Indie

Alliance of Independent Authors /

My kids will tell you my opinion on self-belief. I admit I might have been a little too successful teaching them that lesson—but if you can do something, even better if you can do it well, why hide the fact?

So when I started writing again a couple of years ago, after a hiatus of 35 years, the world had changed from the one I used to know. Back in the hazy (and yes, as an ex-hippy they are a little hazy) days of the 1970’s there were two ways to get published. Fanzines—which didn’t pay—and books and magazines—which did.

I did both. Started with fanzines and worked myself up through the ranks, put in the hours even though Malcolm Gladwell was only 10 years old, until eventually things began to stick. I got an agent, then a publisher, had stories in Galaxy magazine and Vertex and four novels published over five years. And then I ran out of money. Or rather, I matured and decided I needed to eat at least once a day. I took a day job. Writing became a side project, and then faded… but it was never forgotten.

When I returned to it—and that first love is always something special, isn’t it—it was to a whole new world. Things had changed while I had been away.

There had been vanity presses back in the day, but now Amazon has cracked open the stone wall surrounding the magic kingdom and people can publish themselves. I had a decision to make. Start up in the same way I knew, find an agent, find a publisher, wait, or… something else?

The internet had appeared, too. In 1970, if you wanted an agent you bought the Writers’ and Artists’ Year Book and trawled the pages, you wrote letters (in longhand), enclosed an SAE, and you waited. Now Google is your friend.

So… the old way, or the new way, that was the decision I had to make.

I have to tell you, I was torn.

I’m of the baby-boom generation who sees the validation of a publisher as almost essential to a writer, so it was tough to consider alternatives. But like I said, the world has changed. Oh, has it ever changed.

I looked into the alternatives and discovered that if I published myself I could earn 70% royalty from Amazon, the same from other outlets if I went through Smashwords or direct.

From experience I knew a traditional publisher wouldn’t give me anything like that. But hey, they have overheads too: editors, proofreaders, cover artists… large, prestigious office blocks in London and New York, high-paid executives, lunches…

I looked into what I needed to do to make my book as professional as I could. I already told you about self-belief, so of course I knew it was a great book. To make it greater still I needed an editor, a professional cover, a proofreader. So I went out and found them. And then there’s the marketing. It would be great to leave that up to the publisher, but talking with traditional authors it soon became clear that most of the marketing still needs to be done by yourself. Fine, I’ve run a software company for over 20 years, I can do that too.

Maybe there’s a pattern emerging. I’ve talked on the web with a lot of writers who don’t want all that extra work. They see themselves as writers, period. And it’s great if that is all you want to be. But I can do all this other stuff anyway. Formatting for Kindle doesn’t scare me. Creating a website is what I do in my day job.

But I still had the decision to make, because something continued to nag away at me… agent… publisher… acceptance.

Except—it’s the acceptance of readers I want, not of those other people.

And the deciding factor came down to… control and timing.

I’ve written my book. It’s been edited. A cover created. Proofed. It’s ready. Now.

Find an agent – several months.

Agent sends the manuscript around. Another 6 months.

Publisher accepts (you notice I’ve still got the self-confidence), another 18 months before it sees the bookstands.

That could be anything from two years to three years. And the book is finished. Now! In three years time I want to have written and published a stack of other books.

In the end, it came down to that simple fact. And control. I don’t want to wait. And by going Indie I can control everything. If a reader finds a typo on page 297 I can fix it and upload a new version within minutes.

Decision made.

I’m Indie. Positively Indie. And proud of the fact. Oh, and if you’re interested, you can find the book here and here.

A writer’s year (2013)

Earlier today I watched Joanna Penn on Sky News talking about making a change in your career, and she said something profound that really struck me.

What she said was: “Think back to what you wanted to be when you were 13 or 14. Are you doing that now?”

Well, at 13 all I ever wanted to be was a writer.

And, even worse, at 23 I was! A real writer, with an agent, a publisher, and a book in the library. Sure, the advance was laughable and I never earned it out, but I had reached my goal in life, and over the next few years I published three more books and a few short stories.

And then… well, I took my eye off the ball. I gave up.

But 2013 was the year I seriously decided to get back into my writing. I’ve been playing around for a while, but I admit now it was only playing. I started in on my first book in 30 years 5 years ago, a detective novel. Later I took down the copies of my old Science Fiction novels and thought, hey, I can scan these in and bring them out as eBooks. Except, when I started reading them through I thought, oh-oh, maybe not.

So I wrote for a while.

I even wrote under a pseudonym to see if I could still make it and sold a few copies of what I wrote, but it wasn’t anything I wanted to tell anyone else about.

Then around a year ago I thought “Well, if you’re really serious, spend a little money and learn what you need to do.”

So last year I did exactly that.

I read what felt like a thousand blogs, bought a score of books, attended a couple of writer’s and reader’s conferences, took several courses, and now I’ve finished the book I was working on. Next month it goes to an editor (yes, more money), and I’m having a cover created as well (you know what I’m going to say).

Over the last year I’ve undertaken the following experiences:

Book in a Month

I enrolled in a Book in a Month Workshop. It was a little like NaNoWriMo but with a tutor.

This kick started me to actually finish writing the book I started a year ago. I had been driving my wife mad because I talked about it all the time but I wasn’t getting it done.

This course certainly got it done.

Over a period of less than 30 days I wrote every chance I got and ended up with 100,000 words.

Was it worth the effort? Yes.

Will I do the same again with the next book? No.

I learned a few things about the process of creation over the month, and the biggest thing I learned is that yes, I need to write fast and write with my editing head turned off, but writing as fast as I did had a negative effect afterwards. I was so burned out by the process it took me a few months to get back into it.

But, if you need a kick up the backside to get you to finish a book, I’d recommend everyone try this once.

Crime Writing Festivals

Coming back to writing I decided I wanted to switch genre from what I used to do. Gone was the science-fiction (for now). I wanted to write Crime. So I attended the Chipping Norton Literary Festival and later the Harrogate Crime Writing Festival.

I enjoyed Chipping Norton, but Harrogate was an epiphany. Here were the people I wanted to hang around with. Everyone there loves books and writing. Everyone. It was like I’d been on a ten year trip and finally arrived home!

At Harrogate I attended a short workshop on plotting, a part of the process I knew needed attention, and this led me to the next phase.

Guardian Masterclass in Crime Writing

I’ve blogged about this elsewhere so I won’t repeat myself here, other than to say this taught me more than anything else I’ve done all year. If you can find the time, and money, these Masterclasses are recommended.

One thing I did take away from the class that I didn’t mention in my post was the lesson Matthew Hall taught me: Spend time on constructing your story. He says he spends 5 or 6 weeks on plotting before writing anything. And after going through the mill with my new book I intend to follow his advice from now on. Get the plot nailed down first, and then start writing.


And so, after what seems to have been a pretty busy year I’m now sitting here with a finished novel wondering what to do with it.

I thought long and hard about whether to go the traditional route with the book. You know: submit to an agent, hang around to see if anyone’s interested, maybe get a publisher to nibble, hang around another year or eighteen months while it goes through the mill, and I decided… ahh, no, maybe not.

I know how self-publishing works. I know my own weaknesses, hence the editor and cover designer. I also know most traditionally published writers don’t make enough to live off. I’ve reached the stage in my life where I can see a light at the end of the tunnel, and that light is time. Time to do what I really want to do. Time to market my own book, and to write another (already plotted) and another after than (also already plotted). After that… oh, I have so many ideas I need a forty year retirement to fit it all in.

See, I’ve still got ambitions.